Rock n roll

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Rock and roll

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Rock and roll

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Party Chat.Rock 'n' Roll is the tenth episode of the fourth series. Duncan overhears the engines' conversation and demands to know why they are talking about him. Rusty attempts to warn him, but Duncan dismisses the warning and rudely calls Rusty a smelly diesel.

Duncan collects his coaches and arrives at the station where James is waiting for him. When Duncan explains his grievances with Rusty, James tells him of the time he supposedly sent Diesel packing. Rusty is sent to help, but initially refuses. Skarloey expresses his disappointment that Rusty is just going to leave the passengers stranded. Rusty agrees and promises to mend the damaged line in the morning.

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rock n roll

This article is about the episode. Language Title Chinese. Thomas and the Special Letter. Four Little Engines. Gallant Old Engine. A Bad Day for Sir Handel. Peter Sam and the Refreshment Lady.To save this word, you'll need to log in. Is it no longer sex, drugs and rock 'n' roll?

And me, I'm in a rock 'n' roll band … — The Velvet Underground rock and roll. Leitereg And Lauren Beale, latimes. Send us feedback. See More First Known Use of rock and roll Nounin the meaning defined above Verbin the meaning defined at sense 1 Keep scrolling for more Learn More about rock and roll Share rock and roll Post the Definition of rock and roll to Facebook Share the Definition of rock and roll on Twitter Time Traveler for rock and roll.

See more words from the same year Dictionary Entries near rock and roll rockahominy Rockall rock along rock and roll rock and roller rock and rye rock arm.

Accessed 15 Apr. Keep scrolling for more More Definitions for rock and roll rock and roll. Please tell us where you read or heard it including the quote, if possible.

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rock n roll

And who put it there, anyway? Literally How to use a word that literally drives some people nuts. Is Singular 'They' a Better Choice? Come look at pictures of baby animals. Can you correctly identify these flowers? Can you spell these 10 commonly misspelled words?

Listen to the words and spell through all three levels. Login or Register. Save Word. Log In. And me, I'm in a rock 'n' roll band … — The Velvet Underground.

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Examples of rock and roll in a Sentence Recent Examples on the Web: Noun The Sixties mark the decade when rock and roll fully took shape as an art form.According to journalist Greg Kot"rock and roll" is a style of popular music originating in the U.

It is distinguished here from "the more encompassing international style known as " rock music " that developed by the mids, though the latter also continued to be known as rock and roll.

In the earliest rock and roll styles, either the piano or saxophone was typically the lead instrument, but these instruments were generally replaced or supplemented by guitar in the middle to late s.

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Beyond just a musical style, rock and roll, as depicted in movies, in fan magazines, and on television, influenced lifestyles, fashion, attitudes, and language. Rock and roll may have contributed to the civil rights movement because both African American and White American teenagers enjoyed the music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, [15] but by the early 20th century was used both to describe the spiritual fervor of black church rituals [16] and as a sexual analogy.

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Various gospel, blues and swing recordings used the phrase before it became used more frequently — but still intermittently — in the s, on recordings and in reviews of what became known as "rhythm and blues" music aimed at a black audience.

InBillboard magazine columnist Maurie Orodenker started to use the term "rock-and-roll" to describe upbeat recordings such as "Rock Me" by Sister Rosetta Tharpe. The origins of rock and roll have been fiercely debated by commentators and historians of music. LouisMemphisNew York CityDetroitChicagoClevelandand Buffalo See: Second Great Migration African American meant that black and white residents were living in close proximity in larger numbers than ever before, and as a result heard each other's music and even began to emulate each other's fashions.

The immediate roots of rock and roll lay in the rhythm and bluesthen called " race music ", [25] and country music of the s and s. In the s, jazzand particularly swingboth in urban-based dance bands and blues-influenced country swing Jimmie RodgersMoon Mullican and other similar singerswere among the first music to present African-American sounds for a predominantly white audience.

During and immediately after World War IIwith shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums. Rock 'n' RollKeith Richards proposes that Chuck Berry developed his brand of rock and roll by transposing the familiar two-note lead line of jump blues piano directly to the electric guitar, creating what is instantly recognizable as rock guitar.

Similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Rock and roll arrived at a time of considerable technological change, soon after the development of the electric guitar, amplifier and microphoneand the 45 rpm record.

His style of music combined with black influences created controversy during a turbulent time in history. Bill Flagg who is a Connecticut resident, began referring to his mix of hillbilly and rock 'n' roll music as rockabilly around Although only a minor hit when first released, when used in the opening sequence of the movie Blackboard Jungle a year later, it set the rock and roll boom in motion.

If everything that came before laid the groundwork, "Rock Around the Clock" introduced the music to a global audience. Later rockabilly acts, particularly performing songwriters like Buddy Hollywould be a major influence on British Invasion acts and particularly on the song writing of the Beatles and through them on the nature of later rock music.

Doo-wop was one of the most popular forms of s rhythm and blues, often compared with rock and roll, with an emphasis on multi-part vocal harmonies and meaningless backing lyrics from which the genre later gained its namewhich were usually supported with light instrumentation. Exceptions included the Platterswith songs including " The Great Pretender " [62] and the Coasters with humorous songs like " Yakety Yak "[63] both of which ranked among the most successful rock and roll acts of the era.

Many of the earliest white rock and roll hits were covers or partial re-writes of earlier black rhythm and blues or blues songs. Songwriting credits were often unreliable; many publishers, record executives, and even managers both white and black would insert their name as a composer in order to collect royalty checks.

Covers were customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law still in effect. The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at the white market also had much better distribution networks and were generally much more profitable.

Later, as those songs became popular, the original artists' recordings received radio play as well. The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of " Shake, Rattle and Roll " transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, [64] [73] while Georgia Gibbs replaced Etta James 's tough, sarcastic vocal in "Roll With Me, Henry" covered as "Dance With Me, Henry" with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answerHank Ballard 's "Work With Me, Annie".

Some commentators have suggested a decline of rock and roll in the late s and early s. During the late s and early s, the rawer sounds of Elvis PresleyGene VincentJerry Lee Lewis and Buddy Holly were commercially superseded by a more polished, commercial style of rock and roll.

Marketing frequently emphasized the physical looks of the artist rather than the music, contributing to the successful careers of Ricky NelsonTommy SandsBobby Vee and the Philadelphia trio of Bobby RydellFrankie Avalon and Fabianwho all became "teen idols.

Some music historians have also pointed to important and innovative developments that built on rock and roll in this period, including multitrack recordingdeveloped by Les Paulthe electronic treatment of sound by such innovators as Joe Meekand the " Wall of Sound " productions of Phil Spector[81] continued desegregation of the charts, the rise of surf musicgarage rock and the Twist dance craze.

In the s, Britain was well placed to receive American rock and roll music and culture. The initial response of the British music industry was to attempt to produce copies of American records, recorded with session musicians and often fronted by teen idols.According to journalist Greg Kot"rock and roll" is a style of popular music originating in the U.

It is distinguished here from "the more encompassing international style known as " rock music " that developed by the mids, though the latter also continued to be known as rock and roll. In the earliest rock and roll styles, either the piano or saxophone was typically the lead instrument, but these instruments were generally replaced or supplemented by guitar in the middle to late s. Beyond just a musical style, rock and roll, as depicted in movies, in fan magazines, and on television, influenced lifestyles, fashion, attitudes, and language.

Rock and roll may have contributed to the civil rights movement because both African American and White American teenagers enjoyed the music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, [15] but by the early 20th century was used both to describe the spiritual fervor of black church rituals [16] and as a sexual analogy.

Various gospel, blues and swing recordings used the phrase before it became used more frequently — but still intermittently — in the s, on recordings and in reviews of what became known as "rhythm and blues" music aimed at a black audience. InBillboard magazine columnist Maurie Orodenker started to use the term "rock-and-roll" to describe upbeat recordings such as "Rock Me" by Sister Rosetta Tharpe.

The origins of rock and roll have been fiercely debated by commentators and historians of music. LouisMemphisNew York CityDetroitChicagoClevelandand Buffalo See: Second Great Migration African American meant that black and white residents were living in close proximity in larger numbers than ever before, and as a result heard each other's music and even began to emulate each other's fashions. The immediate roots of rock and roll lay in the rhythm and bluesthen called " race music ", [25] and country music of the s and s.

In the s, jazzand particularly swingboth in urban-based dance bands and blues-influenced country swing Jimmie RodgersMoon Mullican and other similar singerswere among the first music to present African-American sounds for a predominantly white audience.

During and immediately after World War IIwith shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums. Rock 'n' RollKeith Richards proposes that Chuck Berry developed his brand of rock and roll by transposing the familiar two-note lead line of jump blues piano directly to the electric guitar, creating what is instantly recognizable as rock guitar.

Similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Rock and roll arrived at a time of considerable technological change, soon after the development of the electric guitar, amplifier and microphoneand the 45 rpm record.

His style of music combined with black influences created controversy during a turbulent time in history. Bill Flagg who is a Connecticut resident, began referring to his mix of hillbilly and rock 'n' roll music as rockabilly around Although only a minor hit when first released, when used in the opening sequence of the movie Blackboard Jungle a year later, it set the rock and roll boom in motion.

If everything that came before laid the groundwork, "Rock Around the Clock" introduced the music to a global audience. Later rockabilly acts, particularly performing songwriters like Buddy Hollywould be a major influence on British Invasion acts and particularly on the song writing of the Beatles and through them on the nature of later rock music. Doo-wop was one of the most popular forms of s rhythm and blues, often compared with rock and roll, with an emphasis on multi-part vocal harmonies and meaningless backing lyrics from which the genre later gained its namewhich were usually supported with light instrumentation.

Exceptions included the Platterswith songs including " The Great Pretender " [62] and the Coasters with humorous songs like " Yakety Yak "[63] both of which ranked among the most successful rock and roll acts of the era. Many of the earliest white rock and roll hits were covers or partial re-writes of earlier black rhythm and blues or blues songs.

rock and roll

Songwriting credits were often unreliable; many publishers, record executives, and even managers both white and black would insert their name as a composer in order to collect royalty checks. Covers were customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law still in effect.

The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at the white market also had much better distribution networks and were generally much more profitable.

Later, as those songs became popular, the original artists' recordings received radio play as well.

Chubby Checker - Let's Twist Again - Rock N Roll Experience

The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of " Shake, Rattle and Roll " transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, [64] [73] while Georgia Gibbs replaced Etta James 's tough, sarcastic vocal in "Roll With Me, Henry" covered as "Dance With Me, Henry" with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answerHank Ballard 's "Work With Me, Annie".

Some commentators have suggested a decline of rock and roll in the late s and early s. During the late s and early s, the rawer sounds of Elvis PresleyGene VincentJerry Lee Lewis and Buddy Holly were commercially superseded by a more polished, commercial style of rock and roll. Marketing frequently emphasized the physical looks of the artist rather than the music, contributing to the successful careers of Ricky NelsonTommy SandsBobby Vee and the Philadelphia trio of Bobby RydellFrankie Avalon and Fabianwho all became "teen idols.

Some music historians have also pointed to important and innovative developments that built on rock and roll in this period, including multitrack recordingdeveloped by Les Paulthe electronic treatment of sound by such innovators as Joe Meekand the " Wall of Sound " productions of Phil Spector[81] continued desegregation of the charts, the rise of surf musicgarage rock and the Twist dance craze.

In the s, Britain was well placed to receive American rock and roll music and culture. The initial response of the British music industry was to attempt to produce copies of American records, recorded with session musicians and often fronted by teen idols.Four songs survive from the fractious sessions with producer Phil Spector in late that ignited the album, and listeners to any of the posthumous compilations that also draw from those archives will know that the best tracks were left on the shelf -- "Be My Baby" and "Angel Baby" among them.

But a gorgeous run through Lloyd Price 's "Just Because" wraps up the album in fine style, while a trip through "You Can't Catch Me" contrarily captures a playful side that Lennon rarely revealed on vinyl.

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The remainder of the album was cut a year later with Lennon alone at the helm, and the mood remains buoyant. It might not, on first glance, seem essential to hear him running through nuggets like "Be Bop A Lula," "Peggy Sue," and "Bring It on Home to Me," but, again, Lennon has seldom sounded so gleeful as he does on these numbers, while the absence of the Spector trademark Wall-of-Sound production is scarcely noticeable -- as the object of one of Lennon 's own productions, David Peel once pointed out, "John had the Wall of Sound down perfectly himself.

As time passed, however, it has grown in stature, whereas those other albums have merely held their own. Imagine that. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods.

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rock n roll

Features Interviews Lists. Streams Videos All Posts. Release Date February 17, Track Listing. Gene Vincent. John Lennon. Stand by Me. You Can't Catch Me. Chuck Berry. Ain't That a Shame.


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